Posted in Costume In Museums, Fashion History, Fashion Museums, History Of 20th Century Fashion, Journalism and Creative Writing, Online Magazine Articles, Vintage Fashion Blog, Vintage Fashion Journalism

Short Story about Being Your Own Museum Curator, When Mrs Mac Invited Me Into Her Home..

I was only 6 when an American couple moved next door. Mr and Mrs Mac were as easy as their Southern drawl and their generosity and warmth were also.

I called him The Man With The Invisible Stetson. She, though, was slight and small.

They drew us in quick until one night dressed in fawns and beige, they took us to dinner at The Belvedere to say ‘thank you.’

I was gauche and said “YUM” but they remained calm, even when I slid between the bars in their balcony, looking into their home.

She found me of course and invited me in using a delicacy as light as her words.

I saw things inside; huge wooden cabinets inlaid with glistening walnut and dusky rose, silently closed.

Seats in gilt and leather beside curtains that brushed the floor. I held my breath as I walked around, listening to the lilt in her voice and taking in the new.

I polished a dining room table so vast I stood on a chair to reach to the middle. The soft ‘swoosh swoosh’ of the duster went in circles until the reflection from the nearby windows was sharp and deep.

“You are better than my cleaner,” she said.

Later that day she taught me how to make popcorn the American way and afterwards we walked into Mac’s room.

I stood in the doorway as she padded to a low drawer, it opened with a creak.

She asked me to “come over and look.”

Inside was tissue paper folded in layers. Slight fingers pulled one side open, then another and she paused before raising a long white glove.

Running up the side were buttons the size of my fingernails. It was of a color so pale, it could hardly be seen amongst the others.

She held it in her hands and let me touch; it was cool and soft.

She opened it up and slipped it onto her thin, long hand until she’d smoothed up to her elbow.

She held her arm out as I watched her move. The glove was pure and perfect but it looked still on her arm, like a thing with no life, no breath at all.

She told me she was a collector and pointed inside.

I stepped in. The drawer was full of 100 leather fingers all wrapped in their own white sheets.

“They are from The South,” she said, “long, long ago.”

“I’ve had some of these since I was a child.”

“My mother had them and my grandmother. They go as far back as we do, Mac and I.”

Her eyes flicked into mine, telling me something I was too young to understand.

“They are beautiful,” I said.

The silence between us was as soft, as soft as the carpet.

“You like these things, don’t you,” she said to me.

“Yes, yes I do.”

“We’ll do a deal,” she said, stepping back as she closed the drawer.

“If you polish my table every week, I’ll tell you what I know.”

© Carrie Henderson 2016

Leather gloves for a Southern Belle.
Leather gloves for a Southern Belle.
Posted in 1960s Fashion, 1970s Fashion, 1980s Fashion, Creative Non Fiction, Fashion History, History Of 20th Century Couture, House Of Mirelle Fashion House Hull Book, Interviews, Online Magazine Articles, Social History, Vintage Fashion Blog, Vintage Fashion History, Vintage Fashion Journalism, Vintage Fashion Research

Elka Couture: From Poland To Camden, The British Vintage Fashion Label With The Eye Catching Designs

Monica Piekielniak is a fashionista with nous. She knows some of the best finds are tucked away on the rails in charity shops. Little did she guess that her latest discovery – a grey / taupe box jacket – would take her search for the label far away from Poland all the way to the UK:

“I bought a jacket in the thriftshop in Poland with the tag of this company. Everytime when I find any interesting things I’m checking its value, company where it comes from, price in the online shop etc,” she said.

Found In a Polish Thrift Shop. An Elka Couture jacket. Image courtesy Monica Piekielniak.
Found In a Polish Thrift Shop. An Elka Couture jacket. Image courtesy Monica Piekielniak.

“When I saw that in the net ain’t much informations about Elka Couture I became more interested because I realised it isn’t much known company as H&M or New Look etc and when I saw that it was working only in 1960s I was totally shocked.”

“It’s unbelievable that a jacket from 60’s in UK moves to 2015 in Poland!” she added.

Hanging in a Polish thrift shop, waiting for the right person to discover it. Image courtsey Monica Piekielniak.
Hanging in a Polish thrift shop, waiting for the right person to discover it. Image courtsey Monica Piekielniak.

Since she’s found out more about the Elka Couture brand she doesn’t wear the jacket, keeping it as an “interesting item” in her wardrobe.

How the jacket ended up in Poland will always remain a mystery. If any Polish readers know who owned the jacket, post a comment here to let us know!

The box jacket from the back. Image courtsey Monica Piekielniak.
The box jacket from the back. Image courtsey Monica Piekielniak.

Most Elka Couture items are not as well travelled as Monica’s and are found closer to home. Ray Gumbley, photographer, works for the charity Age UK:

“Yesterday I was out looking for a black vintage dress for a model to wear in some photographs I’m doing. I was looking up the name of the label when I came across your site. Its a long black dress with sequins around the  chest inside the label reads ELKA Couture.”

When asked what he was planning on doing with his new couture purchase he said:

“I’m not sure what I’m going to do with the dress yet. I will probably try and auction it or put it in one of our charity shops (I work for Age UK Derby and Derbyshire) to raise some funds for Age UK or do what I normally do and hoard it and keeping swopping it for another dress lol.”

We’d love to know what your decision was, Ray and if you have some photos from portraits you took, go ahead post the link to them here.

Jacqui Taylor is the proud owner of an electric blue textured synthetic dress suit made by Elka Couture. It was designed in a twin-set style that was very fashionable in the 1960s and 1970s.

Elka Couture 1960s or 1970s Suit Jacket. Image Courtesy Jacqui Taylor.
Elka Couture 1960s or 1970s Suit Jacket. Image Courtesy Jacqui Taylor.

“I bought the suit for £55 from an antique/vintage shop in Camden Market  the year before the fire there. I have only ever tried in on, never worn it, just coveted it!”

Thank goodness it survived the fire, Jacqui.

“No, there are no washing instructions on the dress or coat,” she added.

Elka Couture Dress Suit Jacket. Image Courtesy Jacqui Taylor.
Elka Couture Dress Suit Jacket. Image Courtesy Jacqui Taylor.

How can you date this gorgeous outfit?

A law was passed in Britain in 1986 to insert fabric care labels – or laundry symbols – into all garments made in the UK. Between 1963 and 1986 the typical washing machine and temperature symbols that are so familiar to us today were sewn less frequently into garments and were not included at all before the 1960s.

Jaqui’s outfit had no such labelling. That, the synthetic textured fabric and the style helps to date it to the 60s or 70s. What a beautiful eye catching outfit with over 40 years of history behind it.

Monika all the way from Poland, asks the 6 million dollar question – or should that be Euros 😉

“I’m interested if Elka Couture was much known company in UK? Was they selling haute couture clothes …as its name suggests or it was something like the whole network of shops, or the only one in Hull?

“I also found the site of Hull Museum when I saw that they also collect Elka Couture clothes, then why they are so important?”

Well, Monika. I’ll try to give you an answer:

Elka Couture was a label that was based in London in the UK. It produced fashions mainly between the 1960s and the 1970s. Its designs were always eye catching and used 60s or 70s synthetic fabrics that were sometimes bold, sometimes glamorous and always unique.

Your jacket is unusual because it is made of natural fabric – cotton.

The early Elka Couture label on Jacqi Taylor's dress suit jacket.
The early Elka Couture label on Jacqi Taylor’s dress suit jacket.

Elka Couture designs reach across the years since to attract people like you when you find them in the rails of charity shops, in auction  houses or in vintage markets.

A maxi dress with the Elka Couture label was donated to Hull Museum because the label was sold at the House Of Mirelle – and that’s where your search started.

Follow me here as I blog more about Elka Couture, Hull vintage fashion and the House Of Mirelle.

If you have an Elka Couture item take good care of it, it’s a part of British fashion history..

© Carrie Henderson 2015