Welcome to the website of Carrie Henderson, non-fiction writer researching the House Of Mirelle, social history and British vintage fashion. Contact: email@example.com: Twitter @carriehenwrites Skype @carriejourno: Instagram: carriehenphotography #HULL2017
Each of the 15 designs were walked through the long galleries to the central catwalk followed by visitors, students, admirers and clouds of photographers with flash bulbs popping.
Taking a respectful circular tour around the permanent fashion exhibit before crossing a packed hallway into the Raphael room the designs remained firm – no frippery here, they retained their structure.
In the collection was a suit designed with a hybrid of 60s and cool glam rock in space age silver, a red trouser suit cut so simply and draped, clinging to the body like a Balenciaga cape and a sculptured men’s outfit using Spanish earthy browns of the Basque countryside.
There was far more layering and texture than you’d ever see in classic Balenciaga but the sculpture was there.
This Fashion In Motion was a more modernist theatre and each design was unique and individual, setting apart one designer from the next.